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11.19-给妈妈(2009.11.19)

发布时间:2017-12-31 所属栏目:国模 晨雨 2009 12 19

一 : 给妈妈(2009.11.19)

给妈妈(2009.11.19)

妈妈

你冷吗?

我站在冬日的中心想你

今夜,我在长街

写一个故事和马的梦( 文章阅读网:www.61k.com )

我和这土地一样深情

用画笔一寸一寸

靠近树丫跳动的月亮

我挽着大海的手臂

在流动的血管里

把你一手捧起

去年的整个哀愁

在您开门时

我已留给了镜子

我开始忆起童年的蝈蝈声

在阳光的大道上

我洗净了墙头的灰尘

一朵白云如此美丽

一片天空的更是美丽

今夜

我只想你

二 : 11.19

Chapter one
Intro
Invented: the French and England.

F Joseph nicephore Niece 1765-1883. —Heliography
first recored image in 1824. A from his window.

Louis - Jacques Daguerre 1787–1851 —Daguerreotype
was a single image
in portraiture and landscape, to mimic paintings.
the mid tones decked the look of thin layers of paint.
Aesthetic qualities were of main concern. competed with painting.

the window’s shot with a shoe cleaner in it. exposed over 24 hours.

E William Henry Fox Talbot 1800-77— calotype.
had higher B&W contrast.
advancement scientific purposes.
recording naturalism.
an extension of nature.
could be produced through a negative process for many times.
commercial terms.
photographs as alternative to lithography for books.
for advertising.

Lacook Abboy use of artists, picture of other’s picture.

Neg + Neg = Pos
revolutionized printing process.

Chapter two
REAL V.S UN-REAL

Early doubters, exploiters and manipulators of the authenticity of the photograph

Hippolyte Bayard 1801-1887
Joked with the concept, What the eye sees and what the photo shows may not be the same.
Self-portrait as a drowned man 1840.

E. Theissen 1814-76.
rationalize colonialism.
neutral photography.
Omitted names, personal details and background.
The "style-less”.
Natie Woman of Sofala(1845)
The black man(1846)

Gustave Le Gary (1813-1899)
known for his seascape. photomontage two separated sea and sky photos together as one.
Mediterranean Sea and Sky (1856) sea and sky rephotography.

Chapter three

The photography, the memory and history.

Alter human’s relationship to the memory.
The sense of “Being there” by read a photograph. connected people together.
Michel Foucault calls it compulsive visibility.
the phptpgraphic image substituted the imagination.
images become reality.
in 1850-95. as it became commonplace the amazement at its ability to capture appearance declined.
the artistic and cheap photos debate.
Stereoscope 3D image, two picture with very tine difference placed beside each other, by watching them in a close distance, people will have an illustration which these are in 3D effect.
the Carte de visit, Andre Desideri, give people a name card with 8 photographs at the same time
Publication ———Lumiere, Harpers weekly.
art repudcation
Magic Lanterns.

Chapter Four

Is it art or not?

Baudelaire : NO.
Constricted the rang of human imagination.
Nadar : YES.
heroic portraits of contemporary culture.
William Lake Price 1870-1896.
Tableau Vivant , faking hime or other’s as famous people from history. studio set up.
Julia Margaret Cameron 1815-79
ennoble photography, blurry.

Chapter five

Photojournalism as a new usage of photography

at England v.s Turkey war. Roger Fenton (1819-69) England, staged his so called photo taken from war. but he actually was there 3days after the war ended.
Matthew Brady (1823-96), U.S
Alexander Gardner (1821-82).
Duchenne de Boulogne 1801-75. Mad people.
Charles Parwin 1809-18xx.
Jean Martin Charcot 1823-93. women were mad.
T. Huxley(1825-95) and J. Lamprey. Ethnographic studies.
Home and Abroad, Orientalism, Exotic and myths of Noble Savage.
Social realism.

Questions still being asked.

truth v.s non-truth.
commercial v.s high-art.
subjective v.s objective.
B/W v.s color.
film v.s digital.

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