一 : 海上钢琴师中英文双语观后感
《海上钢琴师》不愧为一部经典影片。它给我们展示了一个生在船上,长在船上,死在船上,只为钢琴而生的人的一生。他将一生所有的光芒撒在个这艘船上,短暂而凄美。 主人翁(名叫1900)对于这艘船的爱恋不舍,可能类似于我们对于故土的一种眷恋。生于斯,长于斯,故土赋予我们生命以及生命里的一切,这艘船同样赋予他人生的全部价值和情感。现实生活中,有些人可能一辈子都不愿离开他的故土,纵然那土地贫瘠,荒凉,甚至充满危险,纵然外面的世界纷繁多彩,金银遍地,他们从不离开故土一步。对于1900,一个孤儿,他的全部世界就是这艘船,这里就是他的家,他的全部快乐悲伤梦幻激情。可以说他对于这艘船的感情比任何一个人来的都更深沉,更灼热。所以即便是最后一刻,他仍然不会选择离开。
片中最后一段,有主人翁的一段独白,他说他不走,不是因为他站在船板上看到的那些建筑让他感到畏惧,而是因为他看不到世界的尽头。是啊,钢琴的键有始有终,船的甲板有始有终,他可以用有限的键盘奏出无限的乐曲,他可以驾驭这种“有限”,在这里,他就是他。而这个世界呢,没有开始,没有结束,错综复杂的街道,星罗棋布的高楼大厦,有太多的路可以选择,他没有办法去驾驭。驾驭他的人生,他的情感,他的音乐。他只能选择他可以选择,可以驾驭的方式生活,这种方式与世无争,平静自如,不受功名利禄的纷扰。如果一种生活方式,他无法驾驭,他宁可不要!我想这也许是他不选择离开的第二个理由。
他内心的孤独,音乐可知,就如同他的语言,他用它来述说生命,表达情感。其中有这样的一幕,夜晚,在船的酒会大厅,他演奏着,钢琴随着在飓风大浪中左右摇摆船艘,在光洁的地板上,合着音乐的节拍,乎左乎右,时而转圈,时而滑行。让你感受到仿佛他整个人的身心和这音乐,这艘船,这大海早就融合在了一起。他说过,他的音乐和他的人不分开,所以拒绝发布他的音乐胶片。我想,他的内心里,也一定这样笃信,他的这艘船和他的人,不能分开。生命仿佛自他被抛弃的那一刻起,就和这船联系在了一起。音乐,船,他,是“一”,永远无法分开。船的生命结束了,相信他的生命结束,也似乎成为了必然。这也许是他不离开的第三个理由。
对家的深深眷恋,对生存方式的抉择要求,以及早就融为一体的共同的生命,促成了他的悲剧。
然而这真的是悲剧吗?就像戏曲在高潮处嘎然而止,人生在巅峰时刻隐退,情人们相拥着步入婚姻,我们看到了最完美的一幕,之后呢?看戏曲渐渐索然无味,人生逐渐走向低谷,爱情继婚姻之后埋葬在数不清的家庭琐事里,这就是最真实的世界。他的死,至少震撼了我们每个人的心灵,我们谁也无法想象这样的一位旷世奇才,走下船舶,是怎
样开始他平凡的人生,开始变得庸俗乏味,追名逐利。我们不忍心看到这里,导演自然也不会忍心拍到这里。所以从某种意义上讲,这也许算不得是一幕悲剧。
现实生活中,对于别人的选择,我们会感到匪夷所思,就像这部影片一样,可能很多人也不解他的这种选择,但是,我想说,无论是谁,做出怎样的选择,无论在我们看来是多么的荒谬,多么的不明智,多么的让人不解,这都是他的选择。这个选择一定有他的理由,他的思考,你不是他,你没有经历他所经历的,你没有了解他所想的,那么我们唯一可以作的事情,不是述说我们的不解,而是握住他的手,微笑着说一句,Good luck! 喜欢这部电影,喜欢1900,喜欢音乐,喜欢这一片湛蓝的大海。
The Legend of 1900
I think "The Legend of 1900" 好文章is a classical film.
It is a story that a man named 1900 who born in the ship, grew up in the ship, died in the boat, he was just born for the piano. His life is short, but it is also poignance.
The love of 1900 for this ship, maybe is similar
to our feeling for our homeland. Born in it, the senior homeland gives us life and everything in life, the ship also gave him all of life value and emotion. In real life, some people may be refuse to leave their hometown in lifetime .even though that land is poor, desolate, even dangerous, even if the outside world is colorful and rich, but they never step away from his native land. To 1900, an orphan, his whole world is this ship , here
is his home, all of his happiness, sorrow, dream and passion. So he has the deepest feeling for this
ship ,beyond all the people . So even the last moment, he still won't choose to leave.
In the last paragraph, there is a monologue of the hero, he said “All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world” .Yes, the piano keyboard is limited, he can use the limited keyboard playing the infinite music, and he can manage this "limited", here, he is just him. But this world, No beginning, no end, intricate streets, dotted of tall buildings, there are too many options, he can’t control his life, his emotion, h is music. He can only
choose what he can choose, hold himself aloof from the complex world. If he cannot control his lifestyle, he'd rather not to choose! I think this the second reason that he choose to left.
His heart is lonely, music is just like his language. He used it to declare life, express emotion. There are such a scene: It’s the night, on the ship's reception hall, he plays piano with hurricane. I think this is one of the most wonderful plots .It makes you feel as if his body, his soul ,the music ,the ship and the sea are become a perfect fusion. He said his music and his people won't separate, so he refused to publish his music. I think in his mind, the ship and his body are inseparable. Since he was abandoned, his life is contact with the ship together. When the Swww.61k.comhip's life ended, he will go with the ship. This perhaps is the third reason that he didn't leave.
To the home of survival way deeply nostalgic, the choice requirements, and the common life harmony early, contributed to his.
Maybe some people think it’s a tragedy. But is it really a tragedy? I think the answer is no. because we can’t imagine this genius leave the ship and begin his ordinary life, become tastele文章窝ss and go after fame and money. We can't bear to see here, director nature also can't bear that. So in a sense, this is not a tragedy.
In real life, we may puzzled with others’
choices, just like this film, many people may also don't understand his choice. But I want to say ,no matter who make a choice which is absurd ,this is his own choice. He must have his own reasons, you are not him or her, you didn’t experience what he had experienced, so you don’t understand his thoughts. It’s not the time to declare our incomprehension, we just need to hold his hands and say “good luck” to him or her with smile.
I like the movie, music and 1900, and I love
the blue sea so much.
二 : 海上钢琴师观后感
海上钢琴师观后感(一)三 : 《海上钢琴师》观后感
今天看了《海上钢琴师》,它讲述1个被遗弃在巨型渡轮上的孤儿突然间成了天才的钢琴师,他一辈子都不曾下过这艘船。海、船、来来往往的两千名乘客和他的钢琴构成了他唯一的世界。因为他看不见城市的尽头的缘故他不愿离开那废弃的渡轮。虽然他的朋友不懈的努力劝说他下船,挽救生命,但最后还是跟着渡轮的爆破而失去生命的故事。生命像极了一场茫无头绪的冒险,拒绝改变有的时候能提供给人1种安全感,但是我们得直面人生,直面困难,而不是像《海上钢琴师》的主角1900一样,跟着废弃的船的爆破而失去生命,他这是对生命的极不负责任,对朋友的极不负责。环境不会去适应你,你只能去适应环境!
最后1900的朋友麦克斯向收藏乐器的老爸,问了一句“换成是你,你(www.61k.com)会怎么办”。这个问题上我和小秋争论了一下,小秋认为电影里1900的朋友才是他真正的朋友,因为他尊重1900的选择。也是,一千个读者一千个哈姆雷特。我想如果我是他朋友,我会为他着想,我先把他打晕,送下船,确保他的生命安全。虽然他一时会埋怨你,但时间会证明一切——证明此选择是正确的。大家都知道,人的思想是有阶段性的,在一阶段特别不喜欢做的事情,东西或者其他,过一阶段之后却又喜欢上了。谁又不是呢?!
四 : 海上钢琴师观后感
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更多>>我也看过这部电影
也许是因为专业的缘故,也许是因为爱好,我经常喜欢看一些欧美经典电影,前阵子看了魔法保姆麦克菲,昨(www.61k.com)天又看了海上钢琴师,今天放学后我们留在学校排练合唱,当然就又想起了男主角(丹尼博德曼T.D.雷蒙1900)的钢琴造诣,他音乐的游刃有余,以及他纯粹的生活,简单干净的灵魂。
最难忘的是这一片段:在至少十二次航行后的某个春天他最终决定下船,登上陌生的陆地。那天所有的船员都和他挥手告别,他穿着Max送给他的大衣,缓慢的走下船梯,但当他走到船梯的一半时,他茫然的看着偌大的纽约市,凝视了一阵,他突然摘掉头上的礼帽并将之抛了出去,礼帽掉在了船与大陆之间的海面上,然后1900转过头,返回到了船上。他对Max说,我再也不下船了。自此,他与世界失之交臂。
1900,因为孤寂落寞的经历,使其更能敏锐的看透人心,并藉此弹奏、创作出感动人心的乐曲。但一生面对海洋、面对钢琴,陆地上的一切,对他来说有着太多的不确定性,使他一直对陆地踯躇不前。正如他所说:“我看不到陆地的尽头”, 但是,这里的“陆地”更多的则应是1个隐喻。陆地上纵横交错的令1900感到“恐惧”、“崩溃”的城市街道,不可确定的种种,是人类的欲望。这没有尽头的欲望,正是使艺术家们迷失自我的真实原因。但他表示拒绝,不愿陷于着巨大而虚无的漩涡。这是深层次理解《海上钢琴师》的重要线索。“欲望没有尽头”——这是1900下船时突然止步,继而终于回身的真实原因。如果下了这个船,他将会拥有一切:金钱,名望,地位,巨大豪华的房子,美丽高贵的妻子……种种种种。但他将失掉灵感,失掉他赖以驱动敲击琴键的灵敏手指的灵魂的敏感。作为1个纯粹的艺术家,处身于无尽而不可知的欲望深渊之中,便失掉了真实的自己,也失掉了真正的音乐。于是便失去了其作为钢琴师的价值。这正是除了生于斯长于斯的恋旧情结之外,他不惜决定与船共亡的另1个重要原因。
这是一位值得尊敬得艺术家,他有着真正艺术家所拥有的高贵的自尊。是的,我想影片的成功所在就是把我们心中的另1个唯美的自我艺术化,他放大了纯洁灵魂以及我们心灵深处的自由。至今无法忘记1900那孤独却不颓废的眼神,无辜,彷徨,令人同情。说同情1900,我们真没有资格,疲惫的奔波于这个纸醉金迷物欲横流的世界,拷问自己灵魂的深处,我们为了什么而活,我们怎么活,又是什么支撑着自己,可以没有信仰,但必须要有信念。
五 : 《海上钢琴师》观后感
又看了一遍电影《海上钢琴师》。相逢时的天籁之音,从心灵流淌到指尖和琴弦之间。船可以毁灭,船舱可以腐朽,还有音乐和心灵是永恒的。。。。。。海上钢琴师19(www.61k.com)00,一个弃婴,在音乐中逃脱了滚滚红尘,找到了心灵的永恒。还是希望,他走下船梯,找到那个姑娘。可是,10年了,许多许多,已经发生了变化。。。。。。也许,人的一生,最重要的还是,找到自己的路,找到自己的归宿,获得心灵的安宁和永恒。 本文标题:海上钢琴师观后感-海上钢琴师中英文双语观后感61阅读| 精彩专题| 最新文章| 热门文章| 苏ICP备13036349号-1